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Come sono diventata scrittrice

Come sono diventata scrittrice

Author: Welty Eudora
Publisher: Minimum Fax
ISBN: 8875214212
Pages: 167
Year: 2012-01-11
Quali sono i dettagli nella vita di uno scrittore che formano la materia prima delle sue narrazioni? Quali suoni, colori, volti sono destinati a fissarsi sulla pagina scritta per trovare lì il loro significato più vero? Qual è, in altre parole, il rapporto che lega il vissuto, l'esperienza, la memoria con l'arte del raccontare? Eudora Welty fatto amare i suoi romanzi, prova a rispondere a questi interrogativi in un libro a metà strada fra l'autobiografia letteraria e il manuale di scrittura creativa. Ripercorrendo le tappe più luminose dell'infanzia e della giovinezza - la vita familiare e la scuola, i libri e la scoperta del mondo, fino ai primi tentativi di scrivere racconti - la Welty ricostruisce la propria formazione intellettuale e ci offre una riflessione inedita su come anche eventi apparentemente marginali possano imprimersi nella coscienza di uno scrittore, contribuendo a plasmare il suo stile e il suo immaginario; perché, come scrive l'autrice, "il nostro tempo soggettivo è spesso la cronologia propria dei racconti e dei romanzi: è il filo continuo della rivelazione".
Bibliografia nazionale italiana

Bibliografia nazionale italiana

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Year: 2011

La scrittrice cucinava qui

La scrittrice cucinava qui

Author: Barzini Stefania Aphel
Publisher: Libreria degli scrittori
ISBN: 8899015287
Pages: 140
Year: 2015-03-24
"Questo libro, come accade con i figli, ha avuto una storia e una crescita molto diverse da quelle che mi aspettavo. Ha compiuto strade tortuose, incontrato ostacoli inaspettati, affrontato traversie e mille avventure, attraversato oceani. Ma si è sempre ostinatamente rifiutato di soccombere agli imprevisti. È con gioia particolare quindi che oggi, insieme a lui, mi trovo a vivere un nuovo viaggio, quello digitale. Un viaggio diverso ed entusiasmante per tutti e due, che si presenta in un momento particolare, quello in cui “La Scrittrice Cucinava Qui” diventa anche l’oggetto di un corso di cucina che insegno nella mia scuola romana “Tutti a Scuola con Folle Casseruola”. Un corso in cui racconto le protagoniste del saggio: Virginia Woolf, Gertrude Stein, Karen Blixen, Simone de Beauvoir, Colette, Elsa Morante, Agatha Christie, Grazia Deledda, Pamela L. Travers e Harriet Beecher Stowe - con l'aggiunta, pensata specificamente per questa edizione digitale, di Natalia Ginzburg - le loro passioni a tavola e i loro disgusti e in cui cucino insieme ai miei studenti le ricette preferite di ognuna di queste autrici. Il libro dunque diventa “reale” assumendo vesti diverse, quelle “mangiabili” del corso e quelle godibili della versione digitale. È insomma un libro che ha nove vite come i gatti e di questo devo ringraziare voi lettori che spero ci seguirete in queste nuove avventure." Stefania Barzini[L'AUTORE]Stefania Aphel Barzini, cuoca ed esperta di cibo, ha tenuto corsi culinari in Italia e in America, dove ha vissuto. Ha collaborato con il «Gambero Rosso» (sia il canale televisivo, di cui è stata uno degli autori, sia la rivista), e insegna scrittura creativa applicata al cibo in master di giornalismo. Oltre a numerosi libri di cucina, ha pubblicato Una casalinga a Hollywood, A tavola con gli Dei, Così mangiavamo, L'ingrediente perduto, Fornelli d'Italia.
High Albania

High Albania

Author: M. Edith Durham
Publisher: Lulu.com
ISBN: 1365912825
Pages: 200
Year: 2017-04-23
In High Albania, Victorian anthropologist and travel writer M (Mary) Edith Durham presents a vivid and fascinating insight into the culture, customs, people, and the lands of Northern Albania as it was in the early 20th century.
Madame Bovary

Madame Bovary

Author: Gustave Flaubert
Publisher: UPblisher
ISBN: 2759902293
Pages: 531
Year: 2016-08-12
Plongez dans l'univers romanesque d'Emma Bovary ! Madame Bovary est la première oeuvre publiée par Gustave Flaubert. Parue en 1857, elle est son roman le plus célèbre, et le plus adapté au théâtre comme au cinéma. Charles Bovary est un bon garçon, niais, terne, mais gentil. Il est officier de santé, pas docteur en médecine, mais c'est suffisant. Emma Rouault est la fille d'un riche fermier, élevée dans un couvent. Elle y a reçu une « belle éducation ». Ils se marient. Très vite, Emma étouffe : la vie humble et rangée que lui offre son époux ne lui permet pas de savourer les mots félicité, passion et ivresse qui lui ont paru si beaux dans les livres. Une invitation chez un marquis, le dîner au château, le bal lui font croire que ce monde enchanté, auquel elle rêve, existe vraiment. Un hobereau du voisinage n'a pas de mal à la séduire, puis se lasse ; déçue, elle manque mourir de chagrin, prend sa revanche avec un clerc de notaire, signe des traites pour se faire belle, et entraîne son benêt de mari dans les pires embarras. Lui, médiocre incurable y voit « la faute de la fatalité ! » Au-delà du drame, Madame Bovary est un féroce réquisitoire contre la société bourgeoise, la médiocrité satisfaite de la province, la niaiserie des pensées sur mesure, réquisitoire qui tire sa force de ce qu'il se présente comme un exposé parfaitement objectif et strictement réaliste. L'oeuvre fait scandale, les pouvoirs publics s'en mêlent et les poursuites judiciaires commencent. Flaubert passe en correctionnelle, sous l'inculpation d'outrage à la morale publique et religieuse, et d'outrage aux bonnes moeurs. Il est acquitté, mais on le proclame coupable de ne pas « s'être suffisamment rendu compte qu'il y a des limites que la littérature, même la plus légère [sic], ne doit pas dépasser. » Mais c'est à son caractère de profonde humanité que Madame Bovary doit son immense succès. L'histoire d'Emma, c'est celle d'un être qui chute de faute en faute, aspiré par le gouffre qui existe entre l'idée qu'elle se fait de la vie et la vie elle-même. Cette opposition, si finement analysée par Flaubert, fait d'elle un personnage universel dans laquelle chacun peut se reconnaître. C'est là certainement le secret de la réussite d'un roman qui ne cesse d'émouvoir et de passionner. Flaubert affirme : « Ma pauvre Bovary, à cette heure, souffre et pleure dans vingt villages de France ! » Elle restera vraie tant qu'il y aura des êtres pour rêver et pour souffrir. Madame Bovary, c'est nous ! Un "classique" de la littérature française qui met en scène l'adultère et a connu un succès polémique EXTRAIT Ils commencèrent lentement, puis allèrent plus vite. Ils tournaient : tout tournait autour d'eux, les lampes, les meubles, les lambris, et le parquet, comme un disque sur un pivot. En passant auprès des portes, la robe d'Emma, par le bas, s'ériflait au pantalon ; leurs jambes entraient l'une dans l'autre ; il baissait ses regards vers elle, elle levait les siens vers lui ; une torpeur la prenait, elle s'arrêta. Ils repartirent ; et, d'un mouvement plus rapide, le vicomte, l'entraînant, disparut avec elle jusqu'au bout de la galerie, où, haletante, elle faillit tomber, et, un instant, s'appuya la tête sur sa poitrine. Et puis, tournant toujours, mais plus doucement, il la reconduisit à sa place ; elle se renversa contre la muraille et mit la main devant ses yeux.
The Manuscript Found in Saragossa

The Manuscript Found in Saragossa

Author: Jan Potocki
Publisher: Penguin UK
ISBN: 0141914130
Pages: 656
Year: 2006-04-27
Alphonse, a young Walloon officer, is travelling to join his regiment in Madrid in 1739. But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1812) used a range of literary styles - gothic, picaresque, adventure, pastoral, erotica - in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale.
Christ Legends

Christ Legends

Author: Selma Lagerlöf
Publisher: New York : H. Holt
ISBN:
Pages: 270
Year: 1908

The Mountain

The Mountain

Author: Luca D'Andrea
Publisher: MacLehose Press
ISBN: 0857056921
Pages: 400
Year: 2018-06-12
A CURSED PLACE. A COLD CASE. A KILLER WHO LEFT NO TRACE. The huge International bestseller. Gripping, unputdownable and packed with twists, The Mountain is a thriller that you will never forget. "Can be compared (with no fear of hyperbole) to Stephen King and Jo Nesbø" - Massimo Vincenz, La Repubblica. Jeremiah Salinger blames himself. The crash was his fault. He was the only survivor. Now the depression and the nightmares are closing in. Only his daughter Clara can put a smile on his face. But when he takes Clara to the Bletterbach - a canyon in the Dolomites rich in fossil remains - he overhears by chance a conversation that gives his life renewed focus. In 1985 three students were murdered there, their bodies savaged, limbs severed and strewn by a killer who was never found. Salinger, a New Yorker, is far from home, and these Italian mountains, where his wife was born, harbour a close-knit, tight-lipped community whose mistrust of outsiders can turn ugly. All the same, solving this mystery might be the only thing that can keep him sane. Translated from the Italian by Howard Curtis
My Brilliant Friend

My Brilliant Friend

Author: Elena Ferrante
Publisher: Penguin
ISBN: 160945863X
Pages: 336
Year: 2012-09-25
Book One in Elena Ferrante's Neapolitan Quartet A modern masterpiece from one of Italy’s most acclaimed authors, My Brilliant Friend is a rich, intense, and generous-hearted story about two friends, Elena and Lila. Ferrante’s inimitable style lends itself perfectly to a meticulous portrait of these two women that is also the story of a nation and a touching meditation on the nature of friendship. The story begins in the 1950s, in a poor but vibrant neighborhood on the outskirts of Naples. Growing up on these tough streets the two girls learn to rely on each other ahead of anyone or anything else. As they grow, as their paths repeatedly diverge and converge, Elena and Lila remain best friends whose respective destinies are reflected and refracted in the other. They are likewise the embodiments of a nation undergoing momentous change. Through the lives of these two women, Ferrante tells the story of a neighborhood, a city, and a country as it is transformed in ways that, in turn, also transform the relationship between her protagonists, the unforgettable Elena and Lila. Ferrante is the author of three previous works of critically acclaimed fiction: The Days of Abandonment, Troubling Love, and The Lost Daughter. With this novel, the first in a tetralogy, she proves herself to be one of Italy’s great storytellers. She has given her readers a masterfully plotted page-turner, abundant and generous in its narrative details and characterizations, that is also a stylish work of literary fiction destined to delight her many fans and win new readers to her fiction.
Suite Francaise

Suite Francaise

Author: Irene Nemirovsky
Publisher: Vintage Canada
ISBN: 0307371204
Pages: 448
Year: 2009-03-18
Suite Française is both a brilliant novel of wartime and an extraordinary historical document. An unmatched evocation of the exodus from Paris after the German invasion of 1940, and of life under the Nazi occupation, it was written by the esteemed French novelist Irène Némirovsky as events unfolded around her. This haunting masterpiece has been hailed by European critics as a War and Peace for the Second World War. Though she conceived the book as a five-part work (based on the form of Beethoven’s Fifth Symphony), Irène Némirovsky was able to write only the first two parts, Storm in June and Dolce, before she was arrested in July 1942. She died in Auschwitz the following month. The manuscript was saved by her young daughter Denise; it was only decades later that Denise learned that what she had imagined was her mother’s journal was in fact an invaluable work of art. Storm in June takes place in the tumult of the evacuation from Paris in 1940, just before the arrival of the invading German army. It moves vividly between different levels of society–from the wealthy Péricand family, whose servants pack up their possessions for them, to a group of orphans from the 16th arrondissement escaping in a military truck. Némirovsky’s immense canvas includes deserting soldiers and terrified secretaries, cynical bank directors and hapless priests, egotistical writers and hardscrabble prostitutes–all thrown together in a chaotic attempt to escape the capital. Moving between them chapter by chapter, this thrilling novel describes a journey hampered and in some cases abandoned because of confusion, shelling, rumour, lack of supplies, bad luck and ordinary human weakness. Cars break down or are stolen; relatives are forgotten; friends are divided; but there are also moments of love and charity. Throughout, whether depicting saintly forbearance or the basest selfishness, Storm in June neither sweetens nor demonizes its characters; unsentimentally, with stunning perceptiveness, Némirovsky shows the complexities that mean no-one is simply a hero or villain. The second volume, Dolce, is set in the German-occupied village of Bussy. Again, Némirovsky switches seamlessly between social strata, from tenant farmers to the local aristocracy. The focus, however, is on the delicate, secret love affair between a German soldier and the French woman in whose house he has been billeted; the passion, doubts and deceits of their burgeoning relationship echo the complex mixture of hostility and acceptance felt by the occupied community as a whole. Némirovsky is amazingly sensitive in her depiction of changing, often contradictory emotions, but her attention to the personal is matched by her sharp-eyed discussion of small-town life and the politics of occupation. In this myth-dissolving book, the French villagers see the Germans as oppressive warriors, but also as handsome young men, and occupation does nothing to remedy the condescension and envy that bedevil relations between rich and poor. Quite apart from the astonishing story of its survival, Suite Française is a novel of genius and lasting artistic value. Subtle, often fiercely ironic, and deeply compassionate, it is both a piercing record of its time and a humane, profoundly moving novel. From the Hardcover edition.
Lapis

Lapis

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Year: 1991

Infinite Jest

Infinite Jest

Author: David Foster Wallace
Publisher: Back Bay Books
ISBN: 0316073857
Pages: 1104
Year: 2009-04-13
A gargantuan, mind-altering comedy about the Pursuit of Happiness in America set in an addicts' halfway house and a tennis academy, and featuring the most endearingly screwed-up family to come along in recent fiction, Infinite Jest explores essential questions about what entertainment is and why it has come to so dominate our lives; about how our desire for entertainment affects our need to connect with other people; and about what the pleasures we choose say about who we are. Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction without sacrificing for a moment its own entertainment value. It is an exuberant, uniquely American exploration of the passions that make us human - and one of those rare books that renew the idea of what a novel can do.
Killer Chef

Killer Chef

Author: James Patterson
Publisher: BookShots
ISBN: 0316361534
Pages: 144
Year: 2016-11-01
Eat, drink, and be murdered. Someone is poisoning diners in New Orleans' best restaurants. Now it's up to chef and homicide cop Caleb Rooney to catch a killer--who has an appetite for revenge. BookShots LIGHTNING-FAST STORIES BY JAMES PATTERSON Novels you can devour in a few hours Impossible to stop reading All original content from James Patterson
Segnocinema

Segnocinema

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Year: 1993

Six Memos for the Next Millennium

Six Memos for the Next Millennium

Author: Italo Calvino
Publisher: Houghton Mifflin Harcourt
ISBN: 0544230965
Pages: 176
Year: 2016-08-02
“One of the most rigorously presented and beautifully illustrated critical testaments in all of literature.”—Boston Globe “A brilliant, original approach to literature, a key to Calvino’s own work and a thoroughly delightful and illuminating commentary on some of the world’s greatest writing.”—San Francisco Chronicle At the time of his death, Italo Calvino was at work on six lectures setting forth the qualities in writing he most valued, and which he believed would define literature in the century to come. Here, in Six Memos for the Next Millennium, are the five lectures he completed, forming not only a stirring defense of literature, but also an indispensable guide to the writings of Calvino himself. He devotes one “memo” each to the concepts of lightness, quickness, exactitude, visibility, and multiplicity, drawing examples from his vast knowledge of myth, folklore, and works both ancient and modern. Readers will be astonished by the prescience of these lectures, which have only gained in relevance as Calvino’s “next millennium” has dawned.